Aesthetics at Large
Volume 1: Art, Ethics, Politics
9780226546735
9780226546568
9780226546872
Aesthetics at Large
Volume 1: Art, Ethics, Politics
Immanuel Kant’s Critique of Judgment, Thierry de Duve argues in the first volume of Aesthetics at Large, is as relevant to the appreciation of art today as it was to the enjoyment of beautiful nature in 1790. Going against the grain of all aesthetic theories situated in the Hegelian tradition, this provocative thesis, which already guided de Duve’s groundbreaking book Kant After Duchamp (1996), is here pursued in order to demonstrate that far from confining aesthetics to a stifling formalism isolated from all worldly concerns, Kant’s guidance urgently opens the understanding of art onto ethics and politics.
Central to de Duve’s re-reading of the Critique of Judgment is Kant’s idea of sensus communis, ultimately interpreted as the mere yet necessary idea that human beings are capable of living in peace with one another. De Duve pushes Kant’s skepticism to its limits by submitting the idea of sensus communis to various tests leading to questions such as: Do artists speak on behalf of all of us? Is art the transcendental ground of democracy? Or, Was Adorno right when he claimed that no poetry could be written after Auschwitz?
Loaded with de Duve’s trademark blend of wit and erudition and written without jargon, these essays radically renew current approaches to some of the most burning issues raised by modern and contemporary art. They are indispensable reading for anyone with a deep interest in art, art history, or philosophical aesthetics.
Central to de Duve’s re-reading of the Critique of Judgment is Kant’s idea of sensus communis, ultimately interpreted as the mere yet necessary idea that human beings are capable of living in peace with one another. De Duve pushes Kant’s skepticism to its limits by submitting the idea of sensus communis to various tests leading to questions such as: Do artists speak on behalf of all of us? Is art the transcendental ground of democracy? Or, Was Adorno right when he claimed that no poetry could be written after Auschwitz?
Loaded with de Duve’s trademark blend of wit and erudition and written without jargon, these essays radically renew current approaches to some of the most burning issues raised by modern and contemporary art. They are indispensable reading for anyone with a deep interest in art, art history, or philosophical aesthetics.
248 pages | 17 halftones | 6 x 9 | © 2019
Art: Art Criticism, Art--General Studies
History: History of Ideas
Philosophy: Aesthetics
Reviews
Table of Contents
Dear Reader
Part I: The “Kant after Duchamp” Approach
1 Overture: Why Kant Got It Right
2 From Beaux-Arts to Art-in-General: A Bit of History
3 The Post-Duchamp Condition: Remarks on Four Usages of the Word Art
4 The Idea of Art and the Ethics of the Museum: A Candid Theory
5 Do Artists Speak on Behalf of All of Us?
6 Le sens de la famille: Aesthetics as the Transcendental Ground of Democracy
7 Resisting Adorno, Revamping Kant
Part II: Close and Not So Close Readings
8 Conceptual Art in Light of Kant’s Antinomy of Taste
9 Kant’s “Free Play” in Light of Minimal Art
10 A Transcendental Chicken-and-Egg Dilemma
11 Reflecting on Reflection
Notes
Index of Proper Names
Index of Concepts
Part I: The “Kant after Duchamp” Approach
1 Overture: Why Kant Got It Right
2 From Beaux-Arts to Art-in-General: A Bit of History
3 The Post-Duchamp Condition: Remarks on Four Usages of the Word Art
4 The Idea of Art and the Ethics of the Museum: A Candid Theory
5 Do Artists Speak on Behalf of All of Us?
6 Le sens de la famille: Aesthetics as the Transcendental Ground of Democracy
7 Resisting Adorno, Revamping Kant
Part II: Close and Not So Close Readings
8 Conceptual Art in Light of Kant’s Antinomy of Taste
9 Kant’s “Free Play” in Light of Minimal Art
10 A Transcendental Chicken-and-Egg Dilemma
11 Reflecting on Reflection
Notes
Index of Proper Names
Index of Concepts
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