Woven Histories
Textiles and Modern Abstraction
9780226827292
Woven Histories
Textiles and Modern Abstraction
Richly illustrated volume exploring the inseparable histories of modernist abstraction and twentieth-century textiles.
Published on the occasion of an exhibition curated by Lynne Cooke, Woven Histories offers a fresh and authoritative look at textiles—particularly weaving—as a major force in the evolution of abstraction. This richly illustrated volume features more than fifty creators whose work crosses divisions and hierarchies formerly segregating the fine arts from the applied arts and handicrafts.
Woven Histories begins in the early twentieth century, rooting the abstract art of Sophie Taeuber-Arp in the applied arts and handicrafts, then features the interdisciplinary practices of Anni Albers, Sonia Delaunay, Liubov Popova, Varvara Stepanova, and others who sought to effect social change through fabrics for furnishings and apparel. Over the century, the intersection of textiles and abstraction engaged artists from Ed Rossbach, Kay Sekimachi, Ruth Asawa, Lenore Tawney, and Sheila Hicks to Rosemarie Trockel, Ellen Lesperance, Jeffrey Gibson, Igshaan Adams, and Liz Collins, whose textile-based works continue to shape this discourse. Including essays by distinguished art historians as well as reflections from contemporary artists, this ambitious project traces the intertwined histories of textiles and abstraction as vehicles through which artists probe urgent issues of our time.
Published on the occasion of an exhibition curated by Lynne Cooke, Woven Histories offers a fresh and authoritative look at textiles—particularly weaving—as a major force in the evolution of abstraction. This richly illustrated volume features more than fifty creators whose work crosses divisions and hierarchies formerly segregating the fine arts from the applied arts and handicrafts.
Woven Histories begins in the early twentieth century, rooting the abstract art of Sophie Taeuber-Arp in the applied arts and handicrafts, then features the interdisciplinary practices of Anni Albers, Sonia Delaunay, Liubov Popova, Varvara Stepanova, and others who sought to effect social change through fabrics for furnishings and apparel. Over the century, the intersection of textiles and abstraction engaged artists from Ed Rossbach, Kay Sekimachi, Ruth Asawa, Lenore Tawney, and Sheila Hicks to Rosemarie Trockel, Ellen Lesperance, Jeffrey Gibson, Igshaan Adams, and Liz Collins, whose textile-based works continue to shape this discourse. Including essays by distinguished art historians as well as reflections from contemporary artists, this ambitious project traces the intertwined histories of textiles and abstraction as vehicles through which artists probe urgent issues of our time.
Reviews
Table of Contents
Foreword
Modernist Histories: Braided, Interlaced, and Aligned — Lynne Cooke
Plates
Artists’ Responses
Lisa Oppenheim
Harmony Hammond
Jeffrey Gibson
Ann Hamilton
Ellen Lesperance
Ulrike Müller
Carole Frances Lung
Unavoidable Nature — Darby English
Textile Thinking — Briony Fer
Not Your Grandmother’s Labor — Bibiana K. Obler
Dimensions of Basketry — Elissa Auther
Textility and Technology — Michelle Kuo
Notes
List of Illustrations
Acknowledgments
Index
Modernist Histories: Braided, Interlaced, and Aligned — Lynne Cooke
Plates
Artists’ Responses
Lisa Oppenheim
Harmony Hammond
Jeffrey Gibson
Ann Hamilton
Ellen Lesperance
Ulrike Müller
Carole Frances Lung
Unavoidable Nature — Darby English
Textile Thinking — Briony Fer
Not Your Grandmother’s Labor — Bibiana K. Obler
Dimensions of Basketry — Elissa Auther
Textility and Technology — Michelle Kuo
Notes
List of Illustrations
Acknowledgments
Index
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