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Art Is the Evidence

A Guide to Art-based Research

A practical guide to art-based research. 

Art-based research uses artmaking as a primary mode of inquiry and presents art as evidence. While sharing many qualities with scientific inquiry, it is distinguished by the unique character and personal dimensions of each artwork. Artistic intelligence is a gestating, unpredictable, and often challenging crucible of creation that furthers discovery ahead of conscious thought. Rather than treating art as data to be analyzed by social science procedures, this guide lets art speak for itself, offering empirical evidence of artmaking’s contributions to human understanding.

Art Is the Evidence emphasizes how methods emerge, sometimes unplanned, from the art-based research process rather than from following fixed and preexisting institutionally approved methods. The book explores how to work creatively within prescribed structures and embrace tensions with them as sources of artistic transformation. It explores the role of video and digital media in generating convincing art evidence, universal accessibility involving trained and untrained artists, and the future importance of natural art experiments happening throughout the world beyond academic and professional settings.


200 pages | 5.83 x 8.27 | © 2026

Art: Art--General Studies


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Table of Contents

List of Figures

Acknowledgments

 

Preface: To Research Through the Making of Art

 

1. Foundations and Guiding Principles

Original premise and paradigm clarity

Defining art-based research

Institutional challenges

Free movement of ideas and research

 

2. Personal and Empirical: A Pervasive Misunderstanding

Embracing and transcending the personal

 

3. A Natural Emanation from Practice

Formative processes—Liberating artistic interpretation

Learning by not doing: A paradoxical realization

Completing a natural art experiment 50 years later

Art Alchemies

Personal artistic expression can advance professional understanding

Firsthand experimentation with methods of practice

Plans and the “nature” of artistic intelligence

 

4. Art Is the Evidence: Persons, Process, and Creations

An evidentiary epiphany

Clear and convincing: Artistic quality matters

Engaging art’s unique presence and expression versus data analysis

 

5. Doing Art-Based Research in Academic Settings

One person’s perspective

Working within limits and prescribed formats

Breadth of artistic possibilities

Freedom of inquiry

 

6. Research Structure: Simpler the Deeper

Concise, jargon free, and natural writing

Literature and citing

Abstracting and distilling

Proposals

Questions and methods

Presentation of the research and outcomes

 

7. Innovations Shaped by Experimentation

Solo and reciprocal inquiry with others

Artistic reflection in response to the research

Video and new media

The integral relationship of form, content, and process

 

8. Looking to the Future

Who can do art-based research?

Natural art experiments emerging through practice

“No rules” and the artscience relationship revisited

In closing

 

References

Index 

 

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