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Distributed for Reaktion Books

All Around Is Fairy Ground

Pleasure and the Regency Garden

Exquisitely illustrated in color, a fascinating study of gender, social mores, design, and horticulture in Regency gardens. 

Regency gardens dazzled with color, invention, and theatricality: trellises heavy with roses and jasmine, shrubberies designed for intrigue, and lawns enlivened with pools, grottoes, and fanciful ornaments. Yet behind this world of perfume and spectacle lay a striking social shift. In a domain long defined by men, women began to play an active role, influencing Humphry Repton and other designers to realize their visions of pleasure grounds. These gardens became stages for alfresco entertainments, displays of taste, and private encounters alike. This book offers the first sustained account of ornamental gardening in Regency Britain, revealing a vivid, feminine-inflected landscape where horticulture, fashion, and sociability intertwined—and where artistry still resonates two centuries later.


280 pages | 100 color plates, 44 halftones | 7.48 x 9.84 | © 2026

History: British and Irish History

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Reviews

“An excellent book on an important but neglected period in garden history. Mowl, as usual, has researched his topic well and writes beautifully, using evidence and example to great effect.”

Tom Williamson, author of “Humphry Repton: Landscape Design in an Age of Revolution”

“Impeccably researched and elegantly written, this beautiful book is a must for anyone interested in historic gardens, in Jane Austen’s England, or in British cultural history.”

Steven Parissien, author of “Regency Style” and “Building Britannia”

“An absolute delight from beginning to end. Mowl has brought the Regency garden to life in all of its extravagant and ethereal beauty.”

Adrian Tinniswood, author of "The Long Weekend" and "The Power and the Glory"

“Mowl’s deeply researched book soaks the reader in the hedonistic spirit of the Regency period and explores how this was expressed in its complex ornamental gardens and pleasure grounds. The essential symbiotic relationship of house and garden and views between them is central to this story, as are all the styles at play, so we can enjoy a dazzling confection of everything from Chinese to Moorish, from Italianate to Gothic. This book is a highly entertaining read with a serious message about what has been forgotten in the story of the English garden.”

Jeremy Musson, chair of the Historic Houses Foundation

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