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Distributed for McMullen Museum of Art, Boston College

Collaborating in Conflict

The Yeats Family and the Public Arts

A thorough exploration of the artistic accomplishments and public influence of the Yeats family, focusing on the contributions of its lesser-known members.

Collaborating in Conflict accompanies an innovative multimedia exhibition exploring the prolific artistic accomplishments of the Yeats family over three generations. The important contributions of lesser-known members of the Yeats family—John Butler Yeats, Susan Mary (Lily) Yeats, Elizabeth Corbet Yeats, and Anne Butler Yeats—are illuminated alongside those of its more famous figures, Jack Butler Yeats and William Butler Yeats. Featuring an enormous range of objects that are illustrated in full color, some of which have never been exhibited publicly before, it celebrates the extraordinary impact this talented family had on cultural life in Ireland during the crucial decades leading up to and following Irish independence in 1922. The volume also sheds light on the fascinating private dramas that unfolded as individual family members struggled financially, worked together peacefully in some instances, and came into bitter conflict in others.

An interdisciplinary team of scholars from the United States, the United Kingdom, and Ireland offers new insights into historical contexts and interpretive frameworks for studying the Yeatses. Fifteen essays explore the family’s complicated personal and working relationships and examine their developments in composition and artistic techniques. The volume highlights the achievements of the Yeats women in printing, painting, and embroidery. Essays analyze the importance that locations such as Sligo held for various family members and investigate how shifting political landscapes and world events were reflected in their work. Writers also discuss the interconnections among music, theater, visual art, and poetry in the Yeatses’ artistic output.

325 pages | 285 | 10 x 10 | © 2025

Art: Art Criticism

History: British and Irish History

Literature and Literary Criticism: British and Irish Literature


Table of Contents

Introduction—Marjorie Howes

Portraits of the Artists
John Butler Yeats: The Artist Father—Hannah Baker

Ruskin Versus Mill, the Yeats Family, and the Drawing of a Line—Tom Walker

Spaces of Song: Performing Music in the Yeatses’ Artistic Productions—Adrian Paterson

William and Jack Yeats: Looking Backward Together, Moving Forward Apart—Marty Fahey

Striking Out: The Extensive Career of Anne Yeats—Sarah McAuliffe

Weaving Textiles Together
The Sisterhood: Dun Emer, 1902–08—Beatrice Kelly

Female Autonomy and the Material Ancestry of Dun Emer and Cuala Textiles—Colleen Taylor

The Stations of the Cross: Return and Renewal in Lily Yeats’s Late Embroideries—Christian Dupont and Billy Shortall

Lily Yeats and the Making of the Stations of the Cross—Lynn Hulse

Printing and Publishing
Traversing Tradition and the Modern: Artistic Identity and the Cuala Press—Angela Griffith

The Tactile World of Elizabeth Corbet Yeats and the Cuala Press—Andrew Kuhn

Women’s Work and Play at Cuala—Christy L. Pottroff

Jack Butler Yeats: Painting and Performance
Jack Butler Yeats and Sligo: A Western Imaginary—Emer McGarry

Theater and Performance in the Work of Jack Butler Yeats—Róisín Kennedy

A Romantic Nationalist: Jack Butler Yeats and Revolutionary Ireland—Marie Lynch

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