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Distributed for Reaktion Books

The Idea of Waste

On the Limits of Human Life

A compelling rumination on detritus as an essential, meaningful, yet often problematic facet of human existence.
 
This book starts with the premise that waste is inevitable in human society—and ends with a meditation on its inevitability. The Idea of Waste explores how we have grappled with both the material reality and the specter of this shapeshifting phenomenon throughout history—utilizing it, dreaming of overcoming it, yet never escaping it. John Scanlan explores what waste is and why it seems to be intrinsic to human life, at every turn, in every age and epoch. Finally, he demonstrates how waste never disappears, but rather only proliferates anew. Scanlan’s compelling narrative shows waste to be both an enduring material consequence of human activity and an idea or state of being.

256 pages | 40 halftones | 6.14 x 9.21 | © 2025

History: History of Ideas

Sociology: Social History


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Reviews

The Idea of Waste takes us on a fascinating historical journey into how we have disposed of our rubbish over time. . . . It ranges over many themes, from overcrowded graveyards to the disposal of nuclear waste.”

Country Life

"In The Idea of Waste, Scanlan has produced yet another valuable think piece about ‘what waste is and what it has been.’ ‘It is about how we have lived with waste,’ he asserts, ‘made use of it as a thing or idea, and dreamt of escaping or conquering its negative effects once and for all.’ As usual, Scanlan offers a lot to chew on in this new book in a field that has seen amazing growth in recent years."

Martin V. Melosi, author of the award-winning "Fresh Kills: A History of Consuming and Discarding in New York City"

"Scanlan's new book reads like a historical and cultural anthropology of waste. It is an expansive excavation of the cultural middens—material, conceptual and virtual—of Western civilization. Drawing on works of politics, literature, industry, history, architecture and film, he reveals how waste occupies an ambiguous and shifting space between life (that which sustains, enriches and nourishes) and death (that which threatens, endangers or signifies disaster). Scanlan positions waste as central to our historical, cultural and existential fabric, taking us from the ancient sewers of Rome and medieval London, through Nadar’s documentation of Paris’s subterranean sewers to Walter Benjamin’s fascination with commodities and ruins, and from nuclear repositories and ecological wastelands to the digital detritus of our present moment."

Peter C. van Wyck, professor of communication studies, Concordia University, Montreal, and author of "Signs of Danger: Waste, Trauma, and Nuclear Threat"

Table of Contents

Introduction: Waste Is Life Plus Minus 1 Matter: Sewers, Filth and Sanitarians 2 Objects: Consume, Accumulate, Destroy 3 Resources: Reclaim, Recover, Recycle 4 Aesthetics: Designing and Dematerializing 5 Projections: Wastelands, Real and Imagined 6 Temporalities: Deep, Infinite and Meaningless Conclusion: Data Wastelands References Select Bibliography Acknowledgements Photo Acknowledgements Index

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