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Distributed for Intellect Ltd

Post-Catastrophe Film

Cinematic Visions in the Aftermath of Disaster

Distributed for Intellect Ltd

Post-Catastrophe Film

Cinematic Visions in the Aftermath of Disaster

Introduces a new subgenre of film that reveals how film can teach us to reimagine and survive our unsettled age.

Focusing on the fragile, immediate aftermath of global events, before any new social order or rules for living have formed, Stephen Lee Naish’s latest book introduces an emerging subgenre: post-catastrophe film. Positioned between disaster movies, which depict humanity facing large-scale collapse, and post-apocalyptic films, where new societies and rules have already taken hold, this subgenre captures a unique threshold of survival amid change. Through lively case studies of selected popular films, Naish not only offers close readings of cinematic narratives but also explores deeper themes that emerge in the aftermath of disaster, including the role of artificial intelligence and cyborgs, cosmic survival and colonization, and the tensions between individual isolation and life with others. Ultimately, Naish shows how post-catastrophe films speak to our present reality.

In an age shaped by pandemics, climate crisis, and the uncertainties of postmodernity, cinema persists as a resilient mythmaking machine—mapping scenarios of global destruction while offering anxious viewers ways to envision alternative modes of being before a true “post-catastrophe era” arrives. Written in an engaging style and grounded in accessible examples from popular films, this book appeals to scholars, film enthusiasts, and anyone seeking to better understand our uncertain times.
 

252 pages | 17 halftones | 5.98 x 9.02 | © 2026

Film Studies


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Reviews

"Stephen Lee Naish’s Post-Catastrophe Film compellingly exposes an array of real-life concerns veiled in the morbid fantasies of apocalyptic cinema, focusing on the immediate aftermath of a global event, before new social structures and rules for living have emerged. Naish shows how deeply film and our lived realities are intertwined, noting that the pandemic nearly brought the apocalypse to our ability to dream through the cinema itself. He emphasizes how this mythmaking machine has persevered in cognitively mapping scenarios of global environmental destruction as well as presenting anxious viewers with ways of envisioning alternative modes of being before post-catastrophe becomes our reality the way post-modernity, post-humanism and post-truth already have."

Anil Narine, Editor of Eco-Trauma Cinema

Table of Contents

List of Figures 

Acknowledgments

Prelude

Introduction: The Slow-Motion Catastrophe 

  1. A Primer to Understanding Post-Catastrophe Films
  2. Small Screen Apocalypse: Examples of Post-Catastrophe Films
  3. Does Technology Envision Our Annihilation? The Role of Artificial Intelligence, Simulated Dreamworlds, and Augmented Robots, and Cyborgs in Post-Catastrophe Narratives
  4. Cosmic Post-Catastrophe: Escaping our Planet and Colonizing Others
  5. The Optimistic Apocalypse: Star Trek as Post-Catastrophe Narrative
  6. A Sense of an Ending: Envisioning the Absolute Destruction of Everything 
  7. The Lonely Planet: On Being the Last Person on Earth
  8. Being Normal in the Marvel Cinematic Universe: Living Among Gods, Monsters, and Superheroes 

Conclusion

Why Post-Catastrophe Narratives Matter

Notes

Index

 

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