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Distributed for Seagull Books

Source Work for Actors

With a Foreword by Jenna Kumiega
An actor delves into the electrifying world of Jerzy Grotowski’s Polish Laboratory Theatre.

The legacy of Polish theatre director Jerzy Grotowski comes to life in this personal account of a workshop and intensive with Laboratory Theatre master actor Zbigniew Cynkutis. This volume provides a rare window into the actor training and performance practices of one of the most influential and revolutionary theaters of the twentieth century.

Drawing from extensive notes and recordings made during Cynkutis’s last workshop in the United States, Diane Edgecomb’s Source Work for Actors takes us to the heart of the workshop experience from the perspective of a young actor determined to make this process her own. Cynkutis’s voice and presence are palpable throughout the book as he guides a group of actors to a deep understanding of his artistic philosophy and craft. Stimulated by a developing series of tasks, Laboratory Theatre training exercises, and Cynkutis’s startling demonstrations, the group is challenged to bring their whole selves to the work and to reimagine what is possible in theatre.

This compelling volume bears witness to the power of a deeply visceral form of theater and illustrates why the works of Grotowski and his actors have had such a profound impact on generations of theater artists. It is sure to stimulate students, challenge directors, and inspire innovative work.

244 pages | 14 halftones | 6 x 9 | © 2025

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Literature and Literary Criticism: Dramatic Works


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Table of Contents

Acknowledgments
Foreword by Jenna Kumiega
Preface
Introduction: Zbigniew Cynkutis
Chapter One: ARRIVAL
Chapter Two: AWAKENING THE BODY AND VOICE
Chapter Three: NATURAL SOURCES
Chapter Four: VOICE OF THE TREE
Chapter Five: THE STAGE AS AN ENVIRONMENT
Chapter Seven: THE TRINITY: BODY, VOICE, AND IMAGE
Chapter Eight: TRAINING WITH OBJECTS AND VECTORS
Chapter Nine: TRANSFORMATIONS
Chapter Ten: REAL CHANGE - A STORY
Chapter Eleven: ASSOCIATIONS
Chapter Twelve: TIME AS A PARTNER IN THE WORK
Chapter Thirteen: MEMORIES
Chapter Fourteen: THE ATMOSPHERE OF A PLAY
Chapter Fifteen: LIFE FORCE
Chapter Sixteen: ASSOCIATIONS AND SCENE WORK
Chapter Seventeen: ANIMATION
Chapter Nineteen: SYNTHESIS
Chapter Twenty: KEEP YOUR SEARCH ALIVE
Chapter Twenty-one: RHYTHM
Chapter Twenty-two: A FINAL GATHERING
A Note in Closing

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