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Streaming Across Media

Access and Abundance in Digital Culture

Streaming Across Media examines the rise of streaming as the dominant means through which cultural content is distributed, accessed, and consumed. 

Extending across music, film, television, video games, audiobooks, ebooks, and social media, streaming has become a defining feature of contemporary media culture. As different forms of content increasingly appear on the same platforms, traditional boundaries between media industries are becoming less distinct. The book explores streaming as a broader technological, economic, and cultural phenomenon that is reshaping media industries, audience practices, and patterns of cultural consumption.

The book develops a comparative framework for understanding streaming across multiple media sectors. It examines the technologies, business models, and user practices that underpin streaming services, drawing on examples from cultural industries around the world. Particular attention is given to the ways streaming platforms organize access to content and create conditions of abundance, two characteristics that have become central to contemporary media consumption.

A central theme is the shift from ownership to access as the organizing principle of cultural participation. The book considers how audiences increasingly engage with media through ongoing relationships with platforms rather than through ownership of physical or digital objects, and explores the implications of this transition for cultural value, memory, creative labor, and industry organization.

Combining insights from media studies, platform studies, and media industries research, the book situates streaming within longer histories of media distribution, infrastructure, and technological change. It also examines the new genres, markets, and industries enabled by streaming platforms and considers emerging developments, including generative artificial intelligence, that are shaping the future of streaming.

International in scope, the book addresses both global platforms and regional services, highlighting the different ways streaming is adopted, adapted, and regulated across cultural contexts. It will interest students, researchers, librarians, and professionals working in media, communication, digital culture, publishing, and the creative industries. Suitable for advanced undergraduate, postgraduate, and specialist academic collections, it provides an accessible overview of streaming’s role in contemporary cultural life.


202 pages | 6.69 x 9.61 | © 2027

Media Studies


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Table of Contents

Preface  Chapter 1. Introduction: Access and Abundance     What is streaming?     Access and abundance     Streaming and media generations    Explaining streaming    Streaming, culture and society at large    The plurality of streaming    Why streaming across media?    Chapter conclusion    Further Reading Chapter 2. The Etymology and History of Streaming    Gently down the stream: The etymology of streaming    Early and proto-streaming    Thanks for playing    Chapter conclusion    Further reading Chapter 3. Defining, Conceptualizing and Theorizing Streaming    Going with the flow: Definitions and typologies of streaming    Approaching digital media inside out and outside in    Streaming services as intermediaries and platforms    Streaming as a network    Where is streaming? Local, regional and global perspectives    Chapter conclusion    Further reading Chapter 4. The Technologies of Streaming    Beneath the surface: The technological infrastructures of streaming    In the pocket: The importance of smartphones and mobile applications on streaming    Chapter conclusion    Further reading Chapter 5. The Uses, Practices and Making Sense of Streaming    Everyday ubiquity: Using streaming services    Making sense of streamin    The data flows of streaming    Chapter conclusion    Further reading Chapter 6. The Value Propositions and Business Models of Streaming    All you can eat: The value proposition of streaming    Not for the dough. Streaming in/as public service    Chapter conclusion    Further reading Chapter 7. The Industries and Markets Enabled by Streaming    It’s not TV, it’s ... Audiovisual streaming    In your ears. Audio streaming    Twitching and turning: Video game streaming    A beast of its own. YouTube streaming    Prime powerplay: Amazon streaming    A niche of one’s own. Streaming in the cultural margins    Short and sweet: TikTok and short form video streaming    Chapter conclusion    Further reading Chapter 8. Slop Shops and Doppelgängers: AI and Streaming    Who makes content? Humans and machines in the streaming production loops    Training data and streaming services    Industry, legal and policy responses to AI    Chapter conclusion    Further reading Conclusion: Beyond the Buffet Table References

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