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Thomas More

Humanism and Heresy

An intellectual biography of the Catholic martyr and English humanist, grounded in the intellectual currents of early modern Europe.

This book offers a clear and engaging introduction to one of the most influential and contested figures of the English Renaissance. Situating More’s major works within the humanist movement and the debates surrounding the Reformation and the Tudor court, Andrew Hadfield and Joanne Paul reveal how More’s ideas grew from, yet often strained against, the intellectual currents of his time. Through vivid contemporary illustrations and quotations, they bring fresh clarity to More’s texts, from Utopia to his late polemics, while offering original insights into the convictions behind them. By tracing tensions in More’s legacy, this book invites readers to reconsider the man who helped shape modern debates about faith, reason, and political conscience.


224 pages | 30 color plates, 12 halftones | 5.43 x 8.5 | © 2026

Renaissance Lives

Biography and Letters

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Reviews

“Sir Thomas More emerges from this valuable and compelling new study of his writings as a vigorous and enigmatic author who shaped the political, religious, and literary life of early Tudor England. Hadfield and Paul clearly document the major questions in More studies, while also offering tantalizing fresh insights. This excellent book should satisfy established scholars as well as those encountering More for the first time.”

Mark Rankin, James Madison University

“This is an accessible and useful introduction to an influential thinker and literary figure. By examining More’s works in context – including his lesser-known writings, such as his English poetry, Life of Pico and Last Things – the book traces coherent threads across his otherwise seemingly disparate “humanist” and “polemical” works: namely a concern with the corrosive effects of pride on collective authority and community cohesion, and an awareness of death as the great leveler. The concise, richly informative biography at the start orientates readers, and it is beautifully illustrated, with an apposite and illuminating choice of color plates.”

Cathy Shrank, University of Sheffield

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